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Scrooge Revisited Day 3-Cosmo Spacely in A Jetson Christmas Carol (1985)

jetson-christmas-carolNote: If you’re new to Reel to Reel, I’m more about dissecting and commenting on film than writing a straightforward review. As such, please be warned, the following is full of spoilers.

Director: Ray Patterson

Writer: Barbara Levy & Marc Paykuss, based on the novel by Charles Dickens

Cast: George O’Hanlon, Penny Singleton, Daws Butler, Don Messick, Janet Waldo, Jean Vander Pyl, Mel Blanc, Frank Welker

Notes: This cartoon was originally made as an episode of the 80s-era revival of The Jetsons. It would later be released on its own on VHS, and has been shown as its own special on occasion since then (although to date the only place to get it on DVD is part of the Jetsons Season 2 set). It logically casts George Jetson’s boss, Cosmo Spacely (Mel Blanc) in the Scrooge role, with George (George O’Hanlon) taking the Bob Cratchit part. Their dog Astro (Don Messick) fills in for Tiny Tim after he swallows a gear from his Christmas present, which somehow results in him turning green and running a temperature. What can I say, medicine works differently in the future. Hanna-Barbera, of course, also tackled Dickens in A Flintstones Christmas Carol, and at least one other time, in the Scooby-Doo cartoon A Nutcracker Scoob, which so far I’ve been unable to locate on DVD, because clearly somebody at Warner Bros hates joy.

Thoughts: This special is a nice balance between traditional Christmas Carol tropes and the puns and goofs that Hanna-Barbera cartoons do so well. After things kick off with Mr. Spacely forcing George Jetson to work overtime, we lapse into all the main beats – Spacely is visited the ghost of his old partner “Jacob Marsley” (Blanc again) followed by a trio of mechanical ghosts who show him the past, present, and future. The Past and Future are old computers, while Present is a talking gift box. It’s actually my favorite joke in the show, and my wife’s least favorite joke of 2016. Christmas Future takes a nice twist as well – Spacely isn’t dead in the future, just out on the streets after the Jetsons sued him over Astro’s death. As far as changes go, this is the most amusing one – it would be too much for the children’s cartoon to show Spacely’s death, so instead they kill off the dog.

The special adds a little interesting backstory to the characters. In the “Christmas Past” segment, we see that George and Spacely are actually contemporaries, rather than Spacely being George’s senior. What’s more, Spacely has been bullying George and jerking him around financially since they were children. I’m pretty sure this is literally the only time in the history of the cartoon that such a thing is mentioned.

Ultimately, nothing else that happens in the cartoon is terribly surprising. It’s a standard version of A Christmas Carol, mixed in with a standard episode of The Jetsons. If you enjoy either of those things, you’ll like this as well. Fortunately, I do.

The first Reel to Reel study, Mutants, Monsters and Madmen, is now available as a $2.99 eBook in the Amazon Kindle store and Smashwords.com bookstore. And you can find links to all of my novels, collections, and short stories, in their assorted print, eBook and audio forms, at the Now Available page!

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Scrooge Month Day 10: Fred Flintstone in A FLINTSTONES CHRISTMAS CAROL (1994)

Flintstones Christmas Carol (1994)Director: Joanna Romersa

Writer: Glenn Leopold, based on A Christmas Carol by Charles Dickens

Cast: Henry Corden, Jean Vander Pyl, Frank Welker, B.J. Ward, Russi Taylor, Don Messick, John Stephenson, Marsha Clark, Will Ryan, Brian Cummings, John Rhys-Davies, Joan Gerber, Maurice LaMarche, Rene Levant

Notes: This TV movie has become a staple of the Cartoon Network family of TV channels in recent years. Like Mr. Magoo’s Christmas Carol, this film also uses the conceit of the familiar characters putting on a theatrical production of the classic novel by “Charles Brickens”(voiced by John Rhys-Davies). The Flintstones do much more with that concept than Magoo did, though. There are a few Flintstones-centric subplots that run through the story – Fred (Henry Corden) is so caught up with playing Scrooge that he’s ignoring his friends and family at Christmas and allowing his ego to overwhelm him. Wilma (Jean Vander Pyl) is the stage manager of the play, which leaves her hands full to begin with, but things get even worse as different members of the cast come down the with 24-hour “Bedrock Bug” and are unable to perform. Adaptations of A Christmas Carol featuring classic characters seem to be cursed – like Clarence Nash saying goodbye to Donald Duck in Mickey’s Christmas Carol, this was the final time Vander Pyl, Wilma’s original voice, played the character before her passing. Besides Fred as Ebonezer Scrooge (get it?), the Christmas Carol cast includes Barney Rubble (Frank Welker) as Bob Cragit, Betty (B.J. Ward) as Mrs. Cragit, Bamm-Bamm (Don Messick) as Tiny Tim, and Fred’s boss Mr. Slate (John Stephenson) as Jacob Marbley. Wilma gets called upon to play several parts as the actors drop out, including Belle and Christmas Past. The other Ghosts and the rest of the significant roles are filled by obscure or new Flintstones characters.

Thoughts: This film came out at a weird time in Flintstones history. It was the same year as the weak live-action Flintstones movie, and a year after two made-for-TV Flintstones movies which featured Pebbles and Bamm-Bamm as adults getting married, then having babies (twins). For them to step back to the classic era of the cartoon the next year was an interesting choice, but seeing as how they’ve done very little (by which I mean nothing) with the older versions of the characters in the two decades since, I imagine this film was their quiet concession that the characters work best frozen in the eternal forms they enjoyed in the classic TV series.

This is all to say: it’s a pretty good movie.

The Christmas Carol segments are relatively faithful to the book. The characters are true to themselves and they each fill the expected, suitable niche in the story. After watching nine different Christmas Carols though – eight of which are more or less straight-up retellings of the novel – it’s a nice change of pace to see this rendition. With the wraparound story, we don’t actually start the retelling of A Christmas Carol until a full 16 minutes into this 69-minute film. Once we actually get there, it’s nice to see some real “acting,” such as it is. Fred as Scrooge, for example. While it’s true he’s often a loud, obnoxious blowhard in the classic cartoons, he’s almost never pictured as being particularly stingy or cruel. In fact, the character’s biggest fault is that he goes to outrageous extremes in an attempt to provide a life far beyond his reach for his wife and daughter, hardly the actions of a traditional Scrooge. To compensate for the fact that Fred-as-Scrooge isn’t as obvious a comparison as, say, Scrooge McDuck, the movie takes its time to show you how being the star of the play has inflated his ego. Now they’re playing off an established character trait to turn his friends and family against him, making him a better fit for the part. The Fred-centric subplot runs throughout the film, whenever a scene of the “play” ends. He comes offstage bragging about the applause he’s gotten, frustrating Barney and Wilma to no end. It gets even worse when intermission hits and he realizes he left the presents he bought for Wilma and Pebbles at the store, then races out of the theatre to try to fetch them. He winds up having to break into the store, only to get busted by the police. Lucky for him, it’s his buddy Philo Quartz (Rene Lavert), who’s playing Christmas Future and needs to get him back to the theatre in time.

During Christmas Past, the actresses playing both the Ghost and Belle get sick and have to drop out, leaving Wilma to play the roles. Although we get the usual scenes of Scrooge in school, partying with Fezziwig (Barney again) and ultimately losing Belle, there’s an added subtext here. Wilma is legitimately pissed, and Fred – still focusing on his starring turn – can’t understand why.

Christmas Present is the only scene where the Bedrock Bug doesn’t cause havoc. Brian Cummings voices “Ernie,” the ghost who shows him the party at nephew Ned’s and the tender scene at the Cragit home. I know I made the same crack about the Flintstones celebrating Christmas in a time before Christ last year, but this time it’s really glaring. Barney delivers the old line about Tiny Tim hoping people remember “who made lame beggars walk and blind men see.” It’s a beautiful line, of course, one of Dickens’s best, and a vital reminder of the true reason for the Christmas season. But still, Barney, how can people remember a man who hasn’t been born yet?

Ah well. Sacrifices must be made in the name of great cinema.

Christmas Yet to Come is traditionally hooded and silent, and shows Scrooge the traditional scenes. The big curve ball here doesn’t come until the play is actually over, when Fred goes to congratulate Philo on his performance only to find that Philo got struck down with the Bedrock Bug, and Christmas Future was played by none other than his old pal Dino, putting in the greatest canine performance since Rin-Tin-Tin.

In the end, Pebbles (voiced by Russi Taylor) steals Bamm-Bamm’s “God bless us, everyone” line when he gets stage fright. The play over, though, everybody quickly turns on Fred. Fred apologizes to Wilma and the others for real, and they eventually, begrudgingly forgive him. This is the only spot where the movie falls flat. Although we see Scrooge going through his traditional redemption cycle, there’s never anything that indicates any sort of redemption for Fred. It’s as if Scrooge’s life lessons somehow apply to Fred as well, and work their magic on him. Even if we’re to assume that’s the case, why is the lesson only hitting him now, on the night of the performance, instead of the weeks of rehearsal leading up to the production? It doesn’t make a whole lot of sense.

Speaking of the production, let’s hear it for the Bedrock Community Players, can we? Their stage values are absolutely phenomenal. Somehow they have a full-size reproduction of the city on their stage, along with living dinosaurs and real snow, to say nothing of how they somehow make Fred and the Ghosts turn transparent in full view of the audience. I don’t mind tell you, friends, I’ve done my share of community theatre, and there have been times when we have it rough enough just trying to get the fog machine to work. If we could make our actors intangible, people would be abandoning New Orleans to see our performances in droves.

This is not, by any stretch, one of the all-time great productions of A Christmas Carol, but if you’re a fan of the Flintstones – which I am – it’s a fun little departure from the norm and worth watching each Christmas season.

The first Reel to Reel study, Mutants, Monsters and Madmen, is now available as a $2.99 eBook in the Amazon Kindle store and Smashwords.com bookstore. And you can find links to all of my novels, collections, and short stories, in their assorted print, eBook and audio forms, at the Now Available page!

The Christmas Special Day 11: A Flintstones Christmas (1977)

flintstone-christmas-collectionDirector: Charles A. Nichols

Writers: Duane Poole & Dick Robbins

Cast: Henry Corden, Jean Vander Pyl, Mel Blanc, Gay Hartwig, Lucille Bills, Virginia Gregg, Hal Smith,  John Stephenson

Plot: It’s Christmas Eve in Bedrock and the Flintstones and Rubbles are finishing up their preparations. Wilma (Jean Vander Pyl) and Betty (Gay Hartwig) try to persuade Fred (Henry Corden, taking over the role seamlessly from the late Alan Reed) to play Santa at the orphanage’s Christmas party that night, but Fred refuses and heads to work. When he arrives his boss, Mr. Slate (John Stephenson) informs him that his wife wants Fred to play Santa for the same party. This time, to protect his job, Fred agrees. At home, Fred and Barney (Mel Blanc) prepare for the party, but hear a thumping from the roof. They find Santa Claus (great voice actor Hal Smith, who played Santa in no less than five different cartoon series over the years) in the snow. Although Fred is skeptical at first, Barney finds the sleigh and reindeer, proving they’ve got the real Santa in the Flintstone house.  Santa sprained his ankle on Fred’s roof, and Barney suggests Fred as a substitute while he heals. Santa gives them a dose of magic and sends them on their way.

Things go relatively smoothly for Fred and Barney’s first few deliveries, but some turbulence knocks the sack of presents out of the sleigh. Barney calls Santa on the sleigh’s CB radio (it was the 70s, people), and Santa tells them to go back to the North Pole for another load. As they wait for the sleigh to be reloaded, Fred and Barney take a tour of Santa’s high-tech operation and pitch in making some toys. They get back in the air and speed up their deliveries, realizing Fred is still scheduled to play Santa for the orphans. Back in Bedrock, the children are starting to get upset – almost as upset as Mr. Slate. Fortunately, Fred and Barney finally arrive, spilling in through the chimney with such a spectacular entrance Mr. Slate forgives their tardiness… until Fred realizes they’ve given out all the presents already. With a little of Santa’s Christmas magic, Fred produces more, and the children are overjoyed. As they open their gifts, the boys return home to send Santa on his way. Wilma and Betty return home, angry at their husbands for rushing out of the party, and Santa ducks out before they see him. Although the girls don’t believe Fred and Barney’s story about filling in for Santa, they forgive them and begin trading gifts. Fred is horrified to realize, in all the commotion, he didn’t get Wilma a present, but Santa saves the day one last time, slipping one down the chimney. Pebbles and Bamm-Bamm spot Santa flying away, and their fathers join them at the window, waving goodbye, while the girls just chuckle at the four kids looking up at the skies over Bedrock.

Thoughts: Like Fat Albert, this 1977 special takes characters from a popular cartoon show and gives them a Christmas adventure, although unlike Fat Albert, by 1977 the original run of The Flintstones had been over for several years. Fortunately, with animation, it’s easier to do a reunion special without worrying about actors getting older or passing away or refusing to reprise their role – in almost every case, a new voice artist is always a possibility. This special managed to get most of the original voices back, but one wonders if Mel Blanc felt a little confused that he was remaking a cartoon he’d done 13 years prior.

A Flintstones Christmas borrows much of its plot from the 1964 episode of the TV show, “Christmas Flintstone” (brilliantly clever with titles, these Hanna-Barbera folks), specifically the story of Fred filling in for Santa Claus after he injures himself. This special adds in more and different music and ages the children – Pebbles and Bamm-Bamm are elementary school age, whereas they were still babies in the original. They also trade out B-plots – in the original, Fred was working as a department store Santa for extra money, whereas here he’s dealing with Mr. Slate and playing Santa for orphans. The B-plot is used to give urgency to the A-plot as well, while in the original Fred was pretty much done with his gig when he stumbles into the real Santa and is called upon to fill in. Still, if one were to sit down for a marathon of the assorted Flintstones Christmas specials and episodes throughout the years (something a guy like me is honestly very likely to do), you’d be a bit shocked when you essentially saw the same show twice.

Having dealt with that particular elephant in the room (I’m going to ignore the one about characters celebrating Christmas before the birth of Christ), let’s talk about the story for what it is. The notion of Fred filling in for Santa is a wonderfully natural one – the heart of the character is that of a sort of good-natured lummox. For all the times throughout the years where Fred gets short-tempered or angry, at the core of the character is a deep, abiding love for his wife and friends, the sort of thing that lends itself perfectly to playing Santa. The actual mechanism for getting him into the suit was pretty clever for the time, although it seems that Disney picked at this cartoon when they made Tim Allen’s more morbid The Santa Clause.

Although there was music in the original version of this, this version has much more of it, almost making it into a full-blown musical as both Fred and Barney break into song about how much they love Christmas at assorted points in the show. While none of the music has broken out and become of particular note, it’s perfectly passable and a nice addition to the cartoon. The animation style is really indicative of the sort of thing we got from Hanna-Barbera, up to and including a nice little Rube Goldberg-style montage sequence in Santa’s workshop, where Fred and Barney spill out onto the conveyer belts and get temporarily caught up in the mechanisms of the toymaking machines. We saw this sort of thing a lot in the old Hanna-Barbera cartons, second only to the “hall of doors” chase scenes they did so often, particularly in Scooby Doo.

In terms of sheer volume, the good folks at Hanna-Barbera may have been second only to Rankin and Bass for producing great Christmas cartoons. However, there aren’t a lot of ‘em I could use for this project, as so many of them are feature film length, regular episodes of assorted TV shows or, saddest of all, not available on DVD. Maybe next year. But for now we’re not quite done with the Hanna-Barbera characters… not yet.