Writer: Jonathan Collier & James Krieg
Cast: Mindy Cohn, Grey DeLisle, Casey Kasem, Kathy Kinney, Frank Welker
Plot: A group of kids find an enormous snowman in the woods. When they try to take its nose, it comes to life, removes its head, and hurls it at them, making them run away in a panic. Nearby, the gang in the Mystery Machine is on their way to Mill’s Corner to spend Christmas at a condo owned by Daphne’s (Grey DeLisle) uncle. The bridge to the condo is out, forcing them to detour through the town of Winterhollow, where they meet the kids fleeing from the Headless Snowman, who also startles Shaggy (Casey Kasem) and Scooby-Doo (Frank Welker). When they walk into the local diner, a man called Old Jeb is raving about the Headless Snowman who has been terrorizing the town for years. Sheriff Perkins (Kathy Kinney) calms him down and tells the gang there’s no way to get to Mill’s Corner that night with the bridge out. The gang checks into an inn, which is full to bursting with people who have had their homes damaged by the Snowman. The innkeeper, Asa, tells them the town doesn’t celebrate Christmas anymore due to the snowman… some of the children have never even seen a Christmas tree.
Everyone is summoned outside when a loud noise signals an attack by the snowman. There they find a boy named Tommy telling the Sheriff the snowman startled him and smashed his chimney, ripping open a wall in his house. Fred (Welker again) tries to comfort the boy, promising they’ll try to save Christmas. As the gang searches, the Snowman chases them all into a tiny shed, when they send plunging down the side of the mountain and hurtling through the air before smashing to safety. Asa calls a professor from Mill’s Corner to help, and Velma (Mindy Cohn) takes note that Asa’s business seems to benefit greatly from the snowman. Professor Higginson tells them the story an old prospector called Blackjack Brody who froze to death hiding gold bricks he stole from a local man, and that his ghost is sending the snowman to destroy the older homes in Winterhollow searching for his gold. Velma brings the gang to Jeb’s house, expecting the ghost to come there next. They hide when the Snowman appears and starts tearing apart the walls. A sneeze alerts him to our heroes and chase resumes via the classic horror movie technique of the musical montage. Eventually, Scooby and Shaggy lure it away and Sheriff Perkins arrives, claiming to have followed a set of mysterious footprints. Fred, Daphne and Velma go off to set a trap for the monster, but it attacks Scooby and Shaggy instead. They lead it into a series of heat lamps the others set up, melting the snow and revealing a robotic core being piloted by Professor Higginson. Velma reveals that Higginson is a descendant of the man Blackjack Brody stole his gold from in the first place, and he’s been searching for the gold he believes is rightfully his. Remembering how heavy the bricks in the smashed chimneys were, Velma finds the truth – Brody painted the gold and it was used to build the houses in the town. Tommy gives the shivering Higginson his scarf to warm him up, and he realizes the error of his ways. As the gold is rightfully his, he donates it to the town to help them rebuild. The gang sets up a Christmas tree – Winterhollow’s first in years – and everyone gathers around to watch it glow.
Thoughts: This is pretty atypical for a Christmas special, but a perfectly normal episode of Scooby-Doo. The formula is time-honored and well-worn for these characters. Like virtually every episode of the assorted cartoons, a “monster” shows up terrorizing people for reasons that are dubious, but usually somehow financially motivated. The gang investigates three or four suspects, all but one of which are red herrings. They catch the monster, Velma unmasks him and explains how she knew it was really him. Lather, rinse, repeat. I’m told some of the more recent Scooby-Doo cartoons actually try to mix it up by having real monsters, but I haven’t seen any of those… in fact, with a 2004 air date, this is the most recent visit with the original Scooby Gang I’ve ever seen. I do, however, have to give the makers of this cartoon credit for managing to tell a story with a Christmas feel without restoring to many (if any) of the typical Christmas tropes. Don’t misunderstand – I love those trope, those tropes are great. But I’ve been watching these specials for weeks now, and one can’t help but appreciate the change of pace.
The atypical part comes in at the very end, when Higginson repents instead of being carted off shouting that he would have gotten away with it if it weren’t for those rotten kids. It’s a Christmas special, so I can accept the villain who repents at the end – that’s what Christmas is all about, after all. But the way the people of the town are so willing to forgive is nothing short of supernatural. This is the man who has terrorized their town, destroyed their homes, and stolen Christmas itself from an entire generation of children, and they’re ready to forgive him even before he offers to use the gold to help them fix their houses. Ladies and gentlemen, either Winterhollow is the most forgiving town on this or any other planet, or the good Professor had some sort of mind-control apparatus that the gang somehow missed while they were hopped up on Scooby Snacks.
Come to think of it, it’s not like he even really needs the gold. The man has the money to either purchase or develop and build a robotic upside-down top that has the ability to animate and control snow, which it somehow endows with superhuman strength sufficient to rip apart a brick… freaking… wall. If you can do that, what do you need hundred-year-old gold for? Market it! The possibilities for a Vegas stage show alone are staggering!
It’s not the strongest mystery, but then again, Scooby-Doo ain’t exactly Sherlock Holmes. I pegged the professor as our culprit even before he arrived for one simple reason: he told Asa he was coming into town from Mill’s Crossing – the same town the gang was unable to reach because the bridge was out. When he walked through the door I nodded to myself and said, “Yep, he was there all the time.” Startlingly, though, when Velma is doing her Reveal Sequence, this nugget of information is never mentioned. Deleted scene? Serendipitous screw-up? Who knows? I’m just going to take it as further evidence that I’m smarter than most cartoon characters, with the obvious exceptions of Simon from the Chipmunks, Brainy Smurf, and Snarf.
This is a relatively recent cartoon, particularly when you look at the rich history Scooby and the gang enjoy, but they still manage to work in most of the classic bits. My favorite scene is, indeed, the musical montage, when the gang tries to outwit the monster. They even usually succeed, at least for a few seconds. Scooby and Shaggy douse him in syrup and almost have one monster sno-cone, the others start singing Christmas carols and he temporarily forgets he’s a demonic hellbeast and offers them hot chocolate… This may not be a laugh-a-minute show like some of the other Hanna-Barbera cartoons, but when it’s on, it truly has some of the funniest tropes in the cartoon kingdom.
Like I said back when we discussed A Flintstones Christmas, it’s a shame I couldn’t work in more Hanna-Barbera into this countdown. There are dozens of cartoons spread out amongst their various franchises that just fill you with the Christmas spirit. Unfortunately, almost all of them fall into one of the three categories that I disqualified from this project: they were run as part of the regular series, they’re too long and therefore count as a TV movie rather than a TV special, or they’re a take on Dickens’s A Christmas Carol – such as one of my favorite Yuletide adventures with the Scooby gang, “A Nutcracker Scoob.” But fear not, friends. Reel to Reel is a long-term project. There’s always next year.
Writer: Berkeley Breathed
Cast: Michael Bell, John Byner, Joe Alaskey, Tress MacNeille, Andrew Hill Newman, Robin Williams, Alexaundria Simmons, Frank Welker
Plot: As Christmas approaches Opus the Penguin (Michael Bell) has one wish: a new pair of wings, because the ones he’s been saddled with don’t allow him to fly. Opus and his friend Bill the Cat (John Byner) have found themselves the subject of torment by a group of ducks (Joe Alaskey) who mock Opus for being flightless, to the point where Opus is going to a support group led by a young child named Ronald-Anne (Alexaundria Simmons). The other birds in the group rave, particularly a Kiwi (an uncredited cameo by Robin Williams) whose wife has left him for an albatross. After an effort at becoming an airborne vigilante fails spectacularly, Opus turns to Santa for help.
On Christmas Eve, though, Santa Claus (Frank Welker) suffers a mishap and falls from the sky. Opus, meanwhile, sleeps fitfully, having dreams of being a pilot. Even in his dream, though, the plane falls from the sky, because penguins can’t fly. He wakes up and finds himself accosted by the ducks, who are in a panic. They take Opus to the lake, where Santa is perched on his sleigh, stranded in the middle. The ducks are scared of the icy water, and it’s up to Opus the Penguin to glide out and save Santa Claus. Grasping the reigns in his beak, he tows Santa back to dry land. Having lost his hat in the rescue, Santa gives Opus his own hat, and makes him see that his courage is a gift that more than makes up for flightless wings. Opus’s joy is short-lived, however, when he realizes he isn’t getting his Christmas wish. On Christmas morning, he steps outside to see that the three ducks have returned, with dozens more. They grab him and pull him outside, taking him with them into the air. Bill, who we discover suggested going to Opus for help in the first place, begins running behind, and the support group disdains him from the sidewalk. But Opus doesn’t care. For one day, Opus the Penguin can fly.
Thoughts: I’m not sure how popular it is today, but in the 80s I remember Berkeley Breathed’s comic strip Bloom Countyas being one of the more clever, slightly subversive features in the newspaper (definitely the ones carried by the New Orleans Times-Picayune). It was sharper and a bit more pointed than a lot of other strips (coughFAMILYCIRCUScough) without ever reaching the preachiness of a Doonsbury and getting bogged down in its own self-importance. The strip has been rebooted a few times over the years – under the names Outlands and Opus – and the so-called penguin Opus has not always been the star, but to me, he’s the icon.
While animated in a soft, lovely style that is perfectly acceptable for children, early in the special we see signs that this is an elevated cartoon, something that will go over the heads of the playground set, and possibly bore them. Opus blames the “accident of birth” that left him as a flightless bird on Congress rather than his mother, and suggests that Bill move into a recycling bin rather than a garbage can. These are the sort of things that adults will see as satire and kids will see as gibberish. Other not-so-subtle bits include the Kiwi who is outraged that his wife left him for a better endowed bird, a war toy store called “Stormin’ Norman’s” and a cross-dressing cockaroach. Although it does a better job of disguising itself than Christmas at Pee-Wee’s Playhouse, it’s not a show for children.
The trouble is, this was 1991. The Simpsons was still new, South Park wasn’t a glimmer on the horizon, and cartoons were still for kids, as far as anyone was concerned. The prime audience for this special likely dismissed it without even tuning in, and the kids who turned in looking for an alternative to their 900th screening of Rudolph gave up and turned back before Yukon Cornelius even showed up. The sequence where Opus dreams of being a pilot – helped along by footage from an old war movie – is quietly amusing in a way that isn’t instantly memorable, but brings a smile to your face when you come back and watch the special again the next year.
And it’s a shame, because the special has a sweet little message that you don’t really see anywhere else. Like Rudolph or Nestor, we’ve got a story about a main character who suffers from some physical characteristic that he sees as a disadvantage. Like Rudolph and Nestor, in the end it is precisely his abnormality that allows him to save the day. Unlike Rudolph and Nestor, though, this realization isn’t enough for Opus. While the message of Rudolph’s story is a good one (be proud of who you are), Opus’s message is considerably more realistic. Discovering you can do something useful is not, in and of itself, enough to make a person forget a lifelong dream. It’s pretty unlikely that Opus had never taken an ice-cold swim before, too, so it’s not like he even discovered something new like Rudolph and Nestor did. Rudolph’s nose helped him achieve his dream. Opus was told his gift made his dream unnecessary, which any child could tell you is a load of penguin guano. (I know penguins don’t really produce guano, please don’t send me e-mails about this.)
Still, for all the cynicism, the special ends on a very positive note. While we weren’t looking the bullies, the ducks, experience their own change of heart and help our little hero have his dream after all. Most of us will never be that lucky, of course, but it’s a more realistic conclusion to this particular hero’s journey than most of the others we’ve watched. Of course, this is a cartoon with a cross-dressing cockroach, so “realistic” is something of a relative term.
Although I would have been 14 when this special premiered, I don’t remember watching it at the time. At some point, I became aware of it, then a few years ago I found it on DVD and watched it for the first time. There’s something quiet, sweet, and lovely about this special, and if you can find it, it’s well worth rotating the 22 minutes into your Christmas cartoon marathon.
Writers: Janice Karman, Ross Bagdasarian Jr., Hal Mason
Cast: Ross Bagdasarian Jr., Janice Karman, June Foray, Frank Welker, Charles Berendt, R.J. Williams
Plot: Five days before Christmas, the Chipmunks rouse David Seville (Ross Bagdasarian Jr., taking over the roles of Dave, Alvin and Simon from his late father, with Janice Karman playing Theodore) from a sound sleep and start to rush him out the door. As the boys go to the stores, Alvin overhears a little girl admiring a golden harmonica like Alvin’s, wishing she could get it for her sick brother Tommy (R.J. Williams). Tommy’s mother, however, seems skeptical Tommy will live to see the holiday. As the Chipmunks head into the recording studio, Alvin’s spirit has been diminished, and he heads out on an unscheduled break just minutes after recording begins. He finds Tommy at home and visits the sick boy, giving him with his harmonica and telling him he won it in a contest. Alvin rushes back to the studio and joins in the singing, his spirits restored. The Chipmunks are later booked to do a Christmas Eve concert at Carnegie Hall – a huge break – but they want Alvin to do a harmonica solo. Alvin can’t tell Dave (who gave him the harmonica) he gave it up, so he and his brothers try to buy a new one. He dresses up as Santa and charges kids for a picture, which Dave breaks up, admonishing his sons for trying to use Christmas to make money. When his brothers bumble out that Alvin needs money to buy something for himself, a disappointed Dave sends him to his room. That night, Alvin dreams of visiting mad inventor Clyde Crashcup (Charles Berendt), asking him for a loan, but the addle-brained Crashcup proves little help. Dave’s disappointment only grows when he walks past the dreaming Alvin, hearing the boy cry out for money in his sleep.
With two hours to go before the Christmas Eve concert, Alvin sets out to try to buy a new harmonica. While he’s gone Dave gets a phone call from Tommy’s mother, telling him the harmonica did wonders for the sick child. At the mall, Alvin stares at the harmonica he still can’t afford, when a kind old lady (June Foray) comes from nowhere and buys it for him. To thank her, he begins playing “Silent Night,” and a crowd forms to listen, including Dave, Simon and Theodore. Dave apologizes for misjudging Alvin, and the Sevilles head to Carnegie Hall for the concert. As he finishes his harmonica solo, Alvin runs into Tommy, out of bed and well. Alvin pulls him on stage to play an encore with the Chipmunks. Their song even reaches Santa Claus (Frank Welker), passing overhead on his rounds. He returns home to Mrs. Claus, telling her she should get out on Christmas some time and see what it’s like. As he drifts to sleep Mrs. Claus – a familiar, kindly old woman – looks at the audience and hushes us… why tell Santa, after all?
Thoughts: The Chipmunks, those animated anthropomorphs who rocketed to novelty album fame with “The Chipmunk Song,” had been off TV screens for some time in 1981. Although I didn’t know it at the time, this special was the start of a comeback, leading into a new Saturday morning cartoon that would be the version of the Chipmunks throughout my formative years. And it’s fitting, as their first hit was a Christmas song, that Christmas would factor into their comeback as well.
This special was something of an all-star piece, with the already-great June Foray stepping in as Mrs. Claus and the soon-to-be great Frank Welker as her husband. Even better, Chuck Jones pitched in on animation and character design for the special, and having watched it so relatively soon after How the Grinch Stole Christmas, it’s not hard to see some of his trademark gestures and designs, even if the flow of the animation isn’t really his. Some of the visual gags are distinctly Jonesian, though, such as Alvin as a miniature Santa being hoisted and lowered onto kids’ laps via a pulley… there’s a Wile E. Coyote flavor to it. (There’s also a great nod to Jones and Foray’s previous Christmas collaboration, as Alvin encounters a little girl named Cindy Lou.) The Clyde Crashcup sequence is a double whammy, bringing back a great (and mostly forgotten) cartoon star of the past, as well as presenting a sequence of confusion and misunderstanding that echoes a Dr. Seuss poem – or even one of Jones’s few feature films, the great The Phantom Tollbooth.
Although the Chipmunks would return during the run of their TV show with takes on A Christmas Carol and It’s a Wonderful Life, this special was all-new, and a really refreshing change. So many Christmas specials hinge on a character lacking Christmas spirit and finding it at the last minute. This time we see Alvin – often presented as the self-centered one in the group – show true Christmas spirit at the very beginning, and still winding up in a jam. The arc of the story is utterly unlike any other Christmas film I’m aware of. There’s not even really a lesson to be learned – Alvin knows and does the right thing right away, without having to go through trials or face the intervention of some wise mentor. If there’s anything he does wrong it’s not confessing to Dave that he gave up the harmonica, and given the circumstances, I think most people would have done the same thing. It’s a really refreshing change of pace, and makes for a unique special, unlike any of the others we’ve watched so far.
I have to confess, friends, I think the Chipmunks have hit something of a low point. I’m not at all a fan of the current movie series, where I think some of the silly charm of the original has been traded in for gross-out humor and tendrils of raunch that just don’t fit the spirit of Ross Bagdasarian’s characters. But that doesn’t mean I don’t still love Alvin and the boys, and especially at Christmas, I like looking back at these old cartoons and remembering when they were… y’know… good.