Writer: Jerry Juhl
Cast: Jim Henson, Frank Oz, Dave Goelz, Richard Hunt, Kathryn Mullen, Jerry Nelson, Karen Prell, Steve Whitmire, David Rudman, Caroll Spinney, Gerard Parkes
Plot: Kermit the Frog (Jim Henson) and many of the Muppets are off to spend Christmas at Fozzie Bear’s mother’s house (Fozzie and Ma Bear performed by Frank Oz and Jerry Nelson, respectively). They arrive to find that Ma is about to leave, having planned on taking a vacation to Florida for the holidays. Doc (Gerard Parkes) and his dog Sprocket (Steve Whitmire) are renting the house for a quiet holiday. When the Muppets arrive Ma decides to call off her vacation, and Doc finds himself surrounded by strange creatures. (Perplexed, he asks Sprocket if the Muppets are like the “Fraggles” his dog often reports encountering back home.) As everyone settles in, Kermit gets a call from Miss Piggy (Oz again), who is finishing up a photo shoot and plans to join them later. A Turkey (Whitmire again) arrives at the door, having been invited by the Swedish Chef (Henson), and the poultry-loving Gonzo (Dave Goelz) tries to convince him that a turkey at Christmas is more likely to be the main course than a guest. As more Muppets arrive, the farmhouse begins to descend into chaos: the Turkey tells Chef that Sprocket is the turkey, Fozzie Bear attempts to start up a new comedy routine with a Snowman (Richard Hunt), and the Turkey starts to hit on Gonzo’s girlfriend, Camilla. Scooter (Hunt) cheers everyone up with some home movies of the gang as babies, and just before Gonzo and the turkey come to blows, a group of carolers arrive: the Muppets’ friends from Sesame Street. They come in, Bert and Ernie (Oz and Henson) engage Doc in small talk about the letter B, and Christmas Eve.
Chef gets the Turkey into the kitchen and begins sizing him up for the pan, but the Turkey deflects his attention by pointing out the most delectable dish of all: Big Bird (Caroll Spinney). The news reports a terrible storm approaching, and Kermit begins to worry about Miss Piggy, who still hasn’t arrived. The different groups begin bonding, with Janice (Hunt) and Cookie Monster (Oz) “sharing” a plate of treats, drawing Animal (Oz)’s admiration, Oscar the Grouch (Spinney) offering to share his trash can with Rizzo the Rat (Whitmire), and Bert and Ernie leading the Sesame Street gang in a performance of “Twas the Night Before Christmas.” Kermit gets a call from Piggy and tries to convince her to stay off the road during the storm. The pigheaded (rimshot) Muppet doesn’t listen, though, and tries to hail a taxi. The Chef summons Big Bird into the kitchen, planning to prepare him for dinner, but is touched when Big Bird – feeling sorry for him spending Christmas so far away from his home in Sweden – gives him a present of chocolate covered birdseed. When Doc sees Kermit staring out into the snow again, he offers to head out and look for Piggy. As Kermit waits, his nephew Robin (Nelson) summons him to the cellar, where he’s found what he believes to be a Fraggle hole. The two frogs wind up in the subterranean world of Fraggle Rock, where the Fraggles are in the midst of their own midwinter celebration, in which Mokey (Kathryn Mullen) is giving Boober (Goelz) a yellow pebble – which has been a present from Fraggle to Fraggle 37 times. Boober gives the pebble to Robin. As the Frogs return to the farmhouse, Doc arrives on a dogsled wearing a Mountie uniform – all things Miss Piggy just happened to have for him when he found her in the snow. After all, Miss Piggy knows how to make an entrance.
With everyone finally safe and warm in the farmhouse (which is now so tight on space Gonzo and Animal have to sleep on hangers on the wall), Ma Bear officially welcomes everyone to her home and Rowlf the Dog leads the extended Muppet family in their annual Carol Sing. The music summons the Fraggles into the farmhouse, and they join in. Gifts are exchanged – Kermit gives Piggy a mink, and Robin passes the Fraggle Pebble on to Grover – and in the kitchen, Jim Henson himself watches on and smiles… then recruits Sprocket to help him wash the dishes.
Thoughts: We finally get to Jim Henson’s most famous family of characters, the Muppet Show Muppets, making the Henson company’s final entry in our countdown. This special hits on several levels. First of all, it’s full of fantastic Christmas music – in and of itself, that’s enough to make it worth watching. We get a lot of traditionals in the Carol Sing at the end, as well as plenty of other songs throughout. There’s also a song plucked from Fraggle Rock – the joyful “Pass it on” – and the show caps off with a slightly modified version of “Together at Christmas” from The Christmas Toy.
It’s also impressive just how many different stories the special manages to juggle. Kermit and Piggy’s story is ostensibly the A-plot, but it doesn’t really have much more screen time than the Chef’s attempts at dinner, Gonzo’s rivalry with the turkey, Fozzie’s new act, Ma’s effort to find room for everybody, or the introduction of the Fraggles to the rest of the family. All of these things could command a larger chunk if they eliminated the other stories, but it would be a real loss to do so.
It’s also worth noting that most of the stories are pretty original – no retreads of Dickens or Capra or O’Henry, even though Henson has turned to that well before. It’s interesting to note, though, that of the four specials we’ve watched from the Henson company, all four have dealt with gift-giving and self-sacrifice on a fairly significant level. Food for thought.
But the thing that makes this legendary for fans of the Henson company is because this is the only time the casts of all three major Henson families came together on-screen. We saw the Muppet Show and Sesame Street characters interact on several occasions in the past, but throwing in the Fraggles (at the height of their popularity when this special was made) makes it… well, extra-special. There’s even a small bit with the Muppet Babies, when Scooter shows the home movies, allowing us to see them as puppets for only the second time. (Their debut was in the feature film The Muppets Take Manhattan – for their own show, they were animated.) Unfortunately, due to rights issues with the music used in that scene, most of it was cut from the special’s DVD release. There are actually several scenes removed or abbreviated for this reason, so a complete version has never made it to DVD. Even worse, because of the fracturing of the Jim Henson company, in which the Muppet Show characters were sold to Disney and the Sesame Street characters given to the Children’s Television Workshop (now Sesame Workshop), the three families are now all owned by three different companies. Because of this, the DVD has been out of print for years, and can only be obtained used. Good luck – I managed to snag it when it was new and I’ve been watching the same disc for ten years, and it’s now extremely hard to come by. (Although you can find the whole thing on YouTube, and it’s worth it.)
Jim Henson was one of those creators that comes along once in a generation. While he wasn’t the sole force behind the creation of the Muppets, and probably gets too much credit for Sesame Street in some circles, the fact that he was the epicenter of so many different creative movements in his too-short time on this planet is nothing short of astonishing. The fact that so many people continue to use his creations to tell new and wonderful stories 20 years after his death is astonishing. He made something magical and lasting, and this special is one of the few places you can see the scope of his talent all at once, all together, as it should be. That, in and of itself, is a Christmas miracle of a kind.
Writer: Laura Phillips
Cast: Dave Goelz, Steve Whitmire, Kathryn Mullen, Jerry Nelson, Richard Hunt, Camille Bonora, Brian Henson, Marsha Moreau, Zachary Bennett, Jim Henson
Plot: Rugby the Tiger (Dave Goelz) and the rest of the toys in Jesse and Jamie’s playroom (Zachary Bennett and Marsha Moreau, respectively) have an active existence, coming to life and playing whenever their children leave the room. They have to be careful to be in the same spot where the humans left them, though, for if they’re found out of place, they’re frozen forever. When the toys learn it’s Christmas Eve, Rugby is astonished. He remembers last Christmas, when Jamie found him in his brilliant box beneath the tree and he became the center of her world… he never imagined it would happen again. The old teddy bear Balthazar (Jerry Nelson) tells the toys to be ready to welcome the new toys into their midst, pointing out how the doll named Apple (Kathryn Mullen) was upset when Rugby stole her spotlight the year before. As Bathlazar tries to talk to Rugby about what’s about to happen, the catnip mouse named Mew (Steve Whitmire) tells them Rugby has left the playroom to get back under the Christmas Tree, where he believes he belongs. A clown doll named Ditz (Goelz again) steps out of the room to call Rugby back, but he’s found by the children’s mother, who tosses him back into the playroom. Ditz is now “frozen” – unable to move, unable to speak… essentially dead. The rest of the toys sadly bring him to a sort of graveyard in the closet for other frozen toys. As the rest of the toys grieve, Mew sneaks out alone to try to save Rugby.
Mew finds Rugby trapped in the linen closet, locked in after he got mixed up with some clothes. When he tells Mew how spectacular Christmas is (for Rugby, that is), Mew decides to help him back under the tree, showing him the real cat’s trick for opening the door. Back in the playroom Apple assembles a rescue party to go after Rugby and Mew. Rugby makes it to the Christmas tree, where a lovely box for Jamie is waiting to be opened. Mew gets the ribbon off just as Apple and the others find them. She implores him to leave the box alone, but Rugby ignores her. When he opens the box, instead of it being empty, he finds a new doll, a beautiful warrior woman who proclaims herself to be “Meteora, queen of the asteroids (Camille Bonora)!” Meteora rushes off and Rugby tries to seal himself inside her box, but Apple re-tells him the story of last Christmas from her own perspective, when Rugby took her place as Jamie’s favorite toy. As Rugby finally realizes the truth, he still tries to get in the box, and Apple and Mew remind him that he’ll be frozen if the humans find him. Meteora knocks over a chess set, and the noise summons Jamie and Jesse’s father. Before he sees the toys, Mew lets out a very convincing “meow.” Believing it’s just the cat, father goes back to bed. The other toys convince Meteora to return to her box by singing her praises and telling her how she’ll be recognized as a star come Christmas morning. Once she’s wrapped again, they head back towards the playroom. Just as most of them make it back, though, Mew slips from Rugby’s tail and is caught in the hall as the children’s mother opens the door. Rugby rushes to try to save him, but he gets trapped in the linen closet again when mother finds Mew and takes him downstairs to the cat. Heartbroken, Rugby retrieves his friend’s frozen body and tearfully sings him a song to tell him he loves him. Miraculously, Mew begins twitching, and wakes up. In the playroom, the rest of the toys take up the song as the frozen toys in the closet pick themselves up and stumble back to life. The next morning, Jamie and Jesse bring their new toys to the playroom (while the cat, Luigi, drops off a new mouse), and the rest of the toys welcome them. Rugby feels a moment of sorrow while Jamie tells Meteora she loves her, but spirits are lifted all around as she says the same to Apple, and to Rugby himself.
Thoughts: Once more to the Jim Henson company, friends, and to one of my favorite lesser-known Henson productions. The Christmas Toy, from 1986, was one of these specials that led into a (sadly short-lived) TV series, The Secret Life of Toys, about toys that come to life and play whenever their humans leave the room. Nine years later, of course, Pixar Animation would take the basic plot of this special and turn it into a billion-dollar franchise for Disney. And I’m not just talking about the “toys coming to life” part – let’s be fair here, everyone who has ever been a child has imagined that their toys come to life and have adventures of their own when they aren’t around. Of course, there’s also the notion of the comfortable favorite toy suddenly having his prominence threatened by the introduction of a cool new space toy… who doesn’t realize she IS a toy and thinks she’s really in… outer… space… Okay, look, I love Pixar as much as anybody, but if Jim Henson’s ghost had started haunting the crap out of their studio after the first Toy Story came out, he would have been entirely within his rights.
I remember watching this special as a child (I would have been nine the year it came out, so it’s likely I was part of the audience for the premiere) and loving it immediately, even wearing out a VHS copy taped from ABC. Looking back at it as an adult, it’s impressive to me how dark Henson and company were willing to get with these characters. Rugby, at the beginning of the special, is terribly arrogant and unlikable. When he starts singing that he was “the greatest Christmas toy of all,” you kind of hope he does get frozen.
Then there’s the “frozen” concept itself – for a small child, this could be terrifying. Think about it here… you’re little, you’re just starting to gain a comprehension about what death actually is and what it actually means… and then you watch a Muppet special where the lovable mouse drops dead because somebody looks at it. I don’t actually remember the spin-off TV show very well, but I’m pretty sure they dropped this particular aspect when it went to series, and that’s probably a good thing. It definitely adds a note of suspense and danger to the story, but it may have been too difficult to deal with on a weekly basis. (If you really want to be a stickler for continuity, you can probably argue that whatever Rugby did to bring Mew back at the end of this special broke that spell forever, but if you’re thinking that hard about it you’re probably thinking too much about this. Yes, I am speaking from experience.)
Like any good Christmas special, of course, the unlikable character finds redemption in the end. And like any good Jim Henson production, that redemption comes with the help of his friends. The relationship between Rugby and Mew is wonderfully constructed. They’re not buddy-buddy like Kermit and Fozzie or Bert and Ernie. Instead, at the beginning, Mew hangs out with Rugby mainly because all of the toys reject him (he’s “just a cat toy”), but Rugby gives him slightly more attention than the others. It’s not even good attention – Rugby mocks and degrades him more than anyone, but Mew latches on to him anyway. When Mew saves him, twice, we see Rugby’s attitude shift, becoming more accepting not only of Mew, but of Meteora as well. And all of it is part of his true education – the growing knowledge that he isn’t the center of the universe after all, but merely an important part of it for one child. Once again, Henson is teaching children a lesson: “It ain’t all about you, kid.”
The music is okay here, but the final number is fantastic. “Together at Christmas,” Rugby’s song to Mew, briefly became something of a Henson anthem, and we in fact will hear it once more a few days from now, when we pay our fourth and final visit to the Henson workshop, and look in on his most famous creations.
Speaking of those creations, like Emmet Otter’s Jug-Band Christmas, this film sadly isn’t available uncut. Both Emmet and the Toys are still owned by the Jim Henson Company, but a few years back they sold the Muppet Show characters to Disney, which means they had to trim the introduction for both of these films, starring Kermit the Frog, to put on DVD. (Sesame Workshop got special permission from Disney to use Kermit in some of the DVDs of their older shows. I don’t know if Henson even asked…) The special is lovely in its own right, but the beginning is terribly abrupt, you feel like you’ve turned it on after it already began, and that’s why. The DVD itself is horribly barebones, not even taking you to a menu before starting the film. If they ever decide to dress this up and do a better home video release, I hope they come to some sort of agreement to give us Kermit’s welcome back again.
Writer: Jerry Juhl, based on the book by Russell & Lillian Hoban
Cast: Jerry Nelson, Frank Oz, Marilyn Sokol, Dave Goelz, Richard Hunt, Eren Ozker, Jim Henson
Plot: With three days to Christmas,Alice Otter (Marilyn Sokol) is having trouble getting together the money to give her son Emmet (Jerry Nelson) a happy holiday. Emmet sets his heart on a $40 guitar in a music store window, but their shopping afternoon is disrupted by the appearance of a group of rough animals calling themselves the Riverbottom Boys. As the Otters return home, Alice tries to discourage Emmet from getting too hopeful about Christmas, but the boy continues to dream about the days when his father was alive and money went farther. Alice is practically down to using her washtub as their only means of support, while Emmet uses his father’s tools to do odd jobs. Both Alice and Emmet learn the town’s upcoming Talent Competition has a grand prize of $50. Emmet’s friends form a jug band and ask him to borrow his mother’s washtub to make a bass, but Emmet refuses, knowing you can’t make a washtub base without putting a hole in the washtub. Alice is reluctant to enter either, knowing her only way of having a dress for the competition would be to hock her late husband’s tools. Later, as Emmet and Alice play on the frozen lake, they share memories of Pa Otter, and each becomes convinced that he would have made the sacrifice for the other’s sake. Alice wants to buy her son the guitar he admired, while Emmet wants to use his share of the prize money to put a down payment on a piano to replace the one she sold some time ago. Emmet makes his washtub bass, while Alice sells the tools and buys fabric for a dress.
As Emmet’s band practices, the Riverbottom Boys mock their efforts to win the talent contest. Their nerves are shaken even worse when they arrive at the contest to find the opening act is performing the same song they’ve rehearsed. They rush off to learn a new song, but the stage manager forces them back into the theater, afraid they’ll miss their cue. Alice performs “Our World” to a thunderous round of applause, and Emmet’s Jug Band follows up with “Brothers.” The competition is supposed to be over, but the Riverbottom Boys come on and perform a harsh, angry rock number, “Riverbottom Nightmare Band.” The Nightmare Band wins the competition, and the Otters are despondent. Outside they’re told the judges liked both of their acts, but felt like they were missing a little something extra. Alice realizes what their songs were missing was each other. She begins singing and the jug band joins in, resulting in a beautiful combination of the two pieces, “Brothers in Our World.” As they sing, the townspeople come out to listen. Doc Bullfrog, one of the judges, offers them a job performing at his restaurant – free meals included. As they walk home, Alice and the boys sing Pa Otter’s favorite song in his memory.
Thoughts: The great Jim Henson makes his first (but most assuredly not last) appearance in our countdown with this 1977 TV special, adapting a folksy little tale with a hint of O. Henry and a lot of Henson-style sweetness. Although Henson was a veteran puppeteer at this point, and Sesame Street had been on the air for eight years, this special still shows some of the marks of early work and low budgets. The establishing shot is very obviously a model, control rods and seams are often all too visible, and the car the Riverbottom Boys ride through town looks like a wind-up toy. Amazingly all of these things actually contribute to the charm of the special. It gives it a homey, old-fashioned feeling that suits the characters and the world Henson and company created.
The plot has an interesting dash of “Gift of the Magi” in it, but with a clever twist. Rather than trading their own possessions for gifts (which turn out to be useless, thanks to their partner doing the same thing), in this special both Otters trade something important to the other in the hopes of getting the money for a decent present. I’m not quite sure what the message here is… “If you take away your family’s only means of support, make sure you can use it to get them a musical instrument” seems like kind of a bizarre theme for the Christmas season. What makes it work, however, is how the movie uses the focus of the absent Pa Otter – Henson convinces us that both Otters are doing what they believe their late husband/father would do, which is what makes it not only acceptable, but admirable. It helps, I think, that they don’t actually accomplish their goal. Losing the contest makes for a slightly less sugary climax, and the way they get their happy ending anyway feels more natural, more emotionally honest.
Emmet and Alice themselves are sweet, old-fashioned characters. There’s a bit of saccharine to them, but just a bit – enough for the obnoxiously cynical among us to cling to in an attempt to deride this special, unfortunately. For the rest of us, the Otters are simply a hard-luck family in need of a break at Christmas.
The star of this special, I’d argue, isn’t any of the Otters or even Henson, but songwriter Paul Williams. Williams would go on to have a great history with Henson and the Muppets, and the songs he composed for this special (“There Ain’t No Hole in the Washtub,” and “Bar-B-Que,” for instance) have transcended Christmas and become folksy classics. There’s an interesting phenomenon when you rewatch the special, though… having heard the “Our World”/”Brothers” mashup at the end, when you listen to each song performed on its own it feels oddly incomplete. “Brothers” especially sounds like a backing track, with odd pauses and harmonic notes that don’t seem like a proper melody. It’s been far too long since I first saw the special to remember if I would have noticed such a thing upon first viewing, but it stands out to me now. Also amusing, to a Muppet fan like me at least, is “Riverbottom Nightmare Band,” which has some riffs and beats that seem to echo Dr. Teeth and the Electric Mayhem in musical energy, if not in actual tone or message.
A few years ago, Williams wrote a few extra songs to expand the special into a full-length stage play, which ran for two Christmas seasons in Connecticut. Would that I could have seen that one – I’ll bet it was magnificent.
For those of you wondering if the inclusion of this special means you won’t be seeing any other Muppets in the countdown thanks to the “one-per-franchise” rule, the answer is heck no. Using the same logic that allows me to include multiple Rankin and Bass specials, I consider each “family” of Muppets a different franchise. Since this one doesn’t include any of the Muppet Show or Sesame Street Muppets, except Kermit in an intro that is no longer included on the DVD, I hereby declare this a standalone film. You’ll definitely see the Henson company again.