The Christmas Special Day 9: Emmet Otter’s Jug-Band Christmas (1977)
Writer: Jerry Juhl, based on the book by Russell & Lillian Hoban
Cast: Jerry Nelson, Frank Oz, Marilyn Sokol, Dave Goelz, Richard Hunt, Eren Ozker, Jim Henson
Plot: With three days to Christmas,Alice Otter (Marilyn Sokol) is having trouble getting together the money to give her son Emmet (Jerry Nelson) a happy holiday. Emmet sets his heart on a $40 guitar in a music store window, but their shopping afternoon is disrupted by the appearance of a group of rough animals calling themselves the Riverbottom Boys. As the Otters return home, Alice tries to discourage Emmet from getting too hopeful about Christmas, but the boy continues to dream about the days when his father was alive and money went farther. Alice is practically down to using her washtub as their only means of support, while Emmet uses his father’s tools to do odd jobs. Both Alice and Emmet learn the town’s upcoming Talent Competition has a grand prize of $50. Emmet’s friends form a jug band and ask him to borrow his mother’s washtub to make a bass, but Emmet refuses, knowing you can’t make a washtub base without putting a hole in the washtub. Alice is reluctant to enter either, knowing her only way of having a dress for the competition would be to hock her late husband’s tools. Later, as Emmet and Alice play on the frozen lake, they share memories of Pa Otter, and each becomes convinced that he would have made the sacrifice for the other’s sake. Alice wants to buy her son the guitar he admired, while Emmet wants to use his share of the prize money to put a down payment on a piano to replace the one she sold some time ago. Emmet makes his washtub bass, while Alice sells the tools and buys fabric for a dress.
As Emmet’s band practices, the Riverbottom Boys mock their efforts to win the talent contest. Their nerves are shaken even worse when they arrive at the contest to find the opening act is performing the same song they’ve rehearsed. They rush off to learn a new song, but the stage manager forces them back into the theater, afraid they’ll miss their cue. Alice performs “Our World” to a thunderous round of applause, and Emmet’s Jug Band follows up with “Brothers.” The competition is supposed to be over, but the Riverbottom Boys come on and perform a harsh, angry rock number, “Riverbottom Nightmare Band.” The Nightmare Band wins the competition, and the Otters are despondent. Outside they’re told the judges liked both of their acts, but felt like they were missing a little something extra. Alice realizes what their songs were missing was each other. She begins singing and the jug band joins in, resulting in a beautiful combination of the two pieces, “Brothers in Our World.” As they sing, the townspeople come out to listen. Doc Bullfrog, one of the judges, offers them a job performing at his restaurant – free meals included. As they walk home, Alice and the boys sing Pa Otter’s favorite song in his memory.
Thoughts: The great Jim Henson makes his first (but most assuredly not last) appearance in our countdown with this 1977 TV special, adapting a folksy little tale with a hint of O. Henry and a lot of Henson-style sweetness. Although Henson was a veteran puppeteer at this point, and Sesame Street had been on the air for eight years, this special still shows some of the marks of early work and low budgets. The establishing shot is very obviously a model, control rods and seams are often all too visible, and the car the Riverbottom Boys ride through town looks like a wind-up toy. Amazingly all of these things actually contribute to the charm of the special. It gives it a homey, old-fashioned feeling that suits the characters and the world Henson and company created.
The plot has an interesting dash of “Gift of the Magi” in it, but with a clever twist. Rather than trading their own possessions for gifts (which turn out to be useless, thanks to their partner doing the same thing), in this special both Otters trade something important to the other in the hopes of getting the money for a decent present. I’m not quite sure what the message here is… “If you take away your family’s only means of support, make sure you can use it to get them a musical instrument” seems like kind of a bizarre theme for the Christmas season. What makes it work, however, is how the movie uses the focus of the absent Pa Otter – Henson convinces us that both Otters are doing what they believe their late husband/father would do, which is what makes it not only acceptable, but admirable. It helps, I think, that they don’t actually accomplish their goal. Losing the contest makes for a slightly less sugary climax, and the way they get their happy ending anyway feels more natural, more emotionally honest.
Emmet and Alice themselves are sweet, old-fashioned characters. There’s a bit of saccharine to them, but just a bit – enough for the obnoxiously cynical among us to cling to in an attempt to deride this special, unfortunately. For the rest of us, the Otters are simply a hard-luck family in need of a break at Christmas.
The star of this special, I’d argue, isn’t any of the Otters or even Henson, but songwriter Paul Williams. Williams would go on to have a great history with Henson and the Muppets, and the songs he composed for this special (“There Ain’t No Hole in the Washtub,” and “Bar-B-Que,” for instance) have transcended Christmas and become folksy classics. There’s an interesting phenomenon when you rewatch the special, though… having heard the “Our World”/”Brothers” mashup at the end, when you listen to each song performed on its own it feels oddly incomplete. “Brothers” especially sounds like a backing track, with odd pauses and harmonic notes that don’t seem like a proper melody. It’s been far too long since I first saw the special to remember if I would have noticed such a thing upon first viewing, but it stands out to me now. Also amusing, to a Muppet fan like me at least, is “Riverbottom Nightmare Band,” which has some riffs and beats that seem to echo Dr. Teeth and the Electric Mayhem in musical energy, if not in actual tone or message.
A few years ago, Williams wrote a few extra songs to expand the special into a full-length stage play, which ran for two Christmas seasons in Connecticut. Would that I could have seen that one – I’ll bet it was magnificent.
For those of you wondering if the inclusion of this special means you won’t be seeing any other Muppets in the countdown thanks to the “one-per-franchise” rule, the answer is heck no. Using the same logic that allows me to include multiple Rankin and Bass specials, I consider each “family” of Muppets a different franchise. Since this one doesn’t include any of the Muppet Show or Sesame Street Muppets, except Kermit in an intro that is no longer included on the DVD, I hereby declare this a standalone film. You’ll definitely see the Henson company again.
Posted on December 9, 2012, in 3-The Christmas Special, Musical and tagged 1977, Christmas, Dave Goelz, Emmet Otter's Jug-Band Christmas, Eren Ozker, Frank Oz, Jerry Juhl, Jerry Nelson, Jim Henson, Lillian Hoban, Marilyn Sokol, Muppets, Puppets, Richard Hunt, Russell Hoban. Bookmark the permalink. Leave a comment.
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