Tom Holland was great, right? We can all agree on that. He was perfect as young Peter Parker, and we can’t wait to see what else he’s going to do for the Marvel Cinematic Universe, and that’s a good thing. He is the Peter Parker for our time.
With his amazing turn in Spider-Man: Homecoming, though, have come the inevitable thinkpieces, blogs and professional sites alike trying to rank not only the different Spider-Man movies, but the different Spider-Men themselves. How does Holland stack up against Tobey Maguire and Andrew Garfield? If you want to get ultra-nerdy, how does he stack up against Nicholas Hammond?
And I get it. I’m a nerd too. There’s something about being a lover of movies or comics or TV that makes you want to rate and debate and rank and “prove” to everybody that your personal favorite version of something was the best, and that debate is one of the driving forces of fandom. I’ve done it myself.
I’m here to tell you today, though, friends… I don’t think it needs to be.
This kind of goes hand-in-hand with my attempts to mentally reconcile the world of remakes. They’re not stopping, they’re not going anywhere, and it’s true that a lot of them suck. But it’s also true that not all of them do. The second Maltese Falcon is the one everybody remembers. Hitchcock himself remade his own The Man Who Knew Too Much into a tighter, more engaging adventure. And re”boots”? Well, that’s what gave us The Dark Knight. And the Brendan Fraser Mummy movies. And if there’s only one tentpole movie left this summer I absolutely HAVE to see, it’s War For the Planet of the Apes.
Here’s another analogy I like to use: they didn’t stop producing Hamlet after Shakespeare died, did they? And not just theatrically, but cinematically. There have been dozens — no, hundreds of films produced over the years based on his works, and a lot of them have been really good. Were it not for people reimagining older stories, we wouldn’t have Bela Lugosi as Dracula or Boris Karloff as Frankenstein’s monster, either. And when you ask somebody who their favorite Ebenezer Scrooge is, you can quite literally spend hours debating the merits of Alastair Sim versus George C. Scott versus Michael Caine versus Patrick Stewart versus Albert Finney versus Scrooge McDuck.
I’ve started to put superhero movies in the same category as these works. The same as James Bond. The same as Doctor Who. These are stories and characters, that, every so often, will go through a facelift and become something different. And I’m okay with that. We all should be. The real question — the important question — is therefore NOT “is the new guy better than the last guy,” but rather simply, “is the new guy good?”
This isn’t to say that every character should be recast. I’ve yet to see any evidence that someone other than Robert Englund should be allowed to play Freddy Krueger, for instance. And while I’m open to having new characters join the Ghostbusters (I’m not debating the merits of the 2016 movie, I just mean in general), I don’t ever want to see somebody besides Harold Ramis play Egon Spengler.
But times change and iconic characters can and should be refreshed for new generations.
That said, this means we also have to accept the fact that someday, people other than Hugh Jackman and Robert Downey Jr. will play Wolverine and Iron Man. I know, that’s hard to hear. But it’s true. And when it happens, just remember what I’m saying here, and try to judge the new guy for who they are rather than who they aren’t.
First off, allow me to apologize for the lack of activity here lately. I know I promised to start hitting you guys with more regular reviews, but June didn’t allow me a lot of time for writing of any kind because — and this is the part I make no apologizes for — I got married. It’s been a great month, but a busy one. The odd thing is, I did manage to squeeze in a healthy number of movies, while simultaneously having virtually no time to DO anything with them.
Anyway, back to the usual stuff. In the interest of full disclosure (and to generate a little content here) I thought I’d present a regular tally of what movies I managed to see in the previous month. Some of them I’ve written about, most of them I haven’t. This list includes movies I saw for the first time, movies I’ve seen a thousand times, movies I saw in the theater, movies I watched at home, direct-to-DVD, made-for-TV and anything else that qualifies as a movie. I also choose my favorite of the month among those movies I saw for the first time, marked in red. Feel free to discuss or ask about any of them!
1. Jaws (1975), A
2. Pulp Fiction (1994), B+
3. The 5,000 Fingers of Dr. T (1953), B
4. Cool as Ice (1991), F; Rifftrax Riff, B+
5. G.I. Joe: Retaliation (2013), C+
6. The Institute (2013), B-
7. Timecrimes (2007), A-
8. Curious George (2006), B
9. Knights of Badassdom (2013), B+
10. Identity Thief (2013), C
11. American Psycho (2000), B-
12. The Adventures of the American Rabbit (1986), B-
13. Hercules (1958), D+; MST3K Riff, B
14. From Dusk Till Dawn (1996), B
15. From Dusk Till Dawn 2: Texas Blood Money (1999), C
16. From Dusk Till Dawn 3: The Hangman’s Daughter (1999), B-
17. Full Tilt Boogie (1997), B-
18. Killers From Space (1954), D; Film Crew Riff, B
19. Much Ado About Nothing (2012), A-
20. High Anxiety (1977), B
21. The Aristocats (1970), C+
22. It’s a Mad, Mad, Mad, Mad World (1963), B+
23. The Matrix (1999), A
24. Armageddon (1998), B-
25. Frozen (2013), A
26. How to Train Your Dragon (2010), B+
27. You’re Next (2013), C+
28. Maleficent (2014), B-
29. Planet of Dinosaurs (1977), F; RiffTrax Riff, B
30. The Wolverine (2013), B-
31. The LEGO Movie (2014), A
32. The Conjuring (2013), C-
33. Monsters University (2013), B+
34. The Blue Umbrella (2013), A
Twice a year, on the Showcase podcast, I sit back with whichever of my co-hosts are available and talk about the new movies coming out in the next several months. It’s time for this year’s Showcase Summer Movie Preview!