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Reel to Reel ranks 2013 in movies

And once again, we reach the end of another year. And as usual, I didn’t get to see as many movies as I wanted to. I saw most of the ones I was really excited about, all but one in fact (which wound up not being made at all, sadly). For the record, the ones I didn’t see yet that are still on my to-see list are American Hustle, Wolf of Wall Street and Her, all of which will be readily available after the holidays, what with being award bait and all.

So here, for the second year (here’s last year’s list if you’re interested), the list of movies I saw this year roughly in order of how much I liked them, along with brief comments on a few films. This list includes made-for-TV, direct-to-video, and streaming films, as long as they were feature length. The rankings are based purely on how much I enjoyed watching the movie, and no other criteria. I caution you, though, that my opinions on rankings and such change frequently, so if you ask me to make this same list tomorrow, it may well be slightly different:

1. Saving Mr. Banks. Simply a beautiful movie that hits me hard as a writer. I get where both the characters of P.L. Travers and Walt Disney were coming from, I sympathize with them both, and I found the movie deeply moving. I know that a lot of it was conjured up for the sake of cinema, but I’m kind of afraid to look up how much for fear it would ruin the film for me.
2. Frozen. Disney’s best animated movie in years. I particularly like that the film was undeniably a love story, but at the same time, broke every major rule in the usual “princess” formula.
3. Man of Steel. A controversial choice to be this high, I know, but I don’t care. As someone who’s loved Superman since childhood, I thought this film was a worthy jumpstart for both the character and for DC’s effort at a cinematic universe.
4. Pacific Rim. The most underrated movie of the year, in my opinion. Visually exciting and a hell of a lot of fun.
5. Monsters University.
6. The Hunger Games: Catching Fire.
7. Ender’s Game.
8. The Hobbit: The Desolation of Smaug.
9. An Adventure in Space and Time. TV film about the original star of Doctor Who, William Hartnell, made in conjunction with the series’ 50th anniversary. I really liked it.
10. Evil Dead.
11. The World’s End
12. Oz, The Great and Powerful.
13. Star Trek Into Darkness.
14. Thor: The Dark World.
15. Justice League: The Flashpoint Paradox.
16. Batman: The Dark Knight Returns Part II.
17. The Rubber Room. Intriguing documentary about the New York public school system, specifically the practice that leaves teachers accused of assorted mistakes stranded without work for months or years without the opportunity to defend themselves.
18. Crystal Lake Memories:The Complete History of Friday the 13th. Good and terribly thorough documentary about the horror movie series. Make sure you’ve got the time to watch it, though – it’s SEVEN HOURS LONG.
19. Iron Man 3.
20. LEGO Batman The Movie: DC Superheroes Unite.
21. The Wolverine.
22. The Sound of Music. Live TV production of the classic musical.
23. Necessary Evil: The Villains of DC Comics.
24. Europa Report.
25. Superman Unbound.
26. Kick-Ass 2.
27. Warm Bodies.
28. Upstream Color. I really liked the director’s last movie, Primer, so I had high hopes for this one. I felt somewhat let down, though. The movie thought it was smarter than it really was.
29. Escape From Planet Earth.
30. Side Effects.
31. A Good Day to Die Hard.
32. World War Z.
33. Mister Scrooge to See You.
34. Jack the Giant Slayer.
35. Iron Man: Rise of Technovore.
36. The Purge. Intriguing idea – a world where all crime is legal for 12 hours a year – but the film is handled poorly, set up on a soapbox, has a horribly predictable ending and is so heavy-handed it’s impossible to enjoy as a thriller.
37. The Host. The only thing I have to say about this Stephanie Meyer adaptation is that I initially mistyped it as The Hose, and I couldn’t help but think that would have been a more interesting movie.
38. Riddick.
39. Oblivion. I challenge anybody to explain the backstory and plot of this film in a way that does not invite a six-year-old child to point out how outrageously stupid the aliens are. I DARE YOU.
40. Hansel and Gretel: Witch Hunters.
41. Sharknado. I know that this TV production was supposed to be bad, but I disagree with those who think it was both bad and fun. I just didn’t enjoy it.

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Scrooge Month Day 20: David Ruprecht in MISTER SCROOGE TO SEE YOU (2013)

Mister Scrooge to See You 2013Director: Steven F. Zambo

Writer: Steven F. Zambo

Cast: David Ruprecht, Matt Koester, Shannon Moore, Curt Backlund, William Beglinger, Nancy Ferdyn, Tyler L. Johnson, Jeff Johnstone, Daniel Koester, Torry Martin, Arlensiu Novelli, Rick Richter, Karen Spiegelberg, Chris Taylor, Ken T. Williams

Notes: I thought it would be fun to end Scrooge Month with a different tale of the character. In Mister Scrooge to See You!, David Ruprecht plays the former miser one year after his redemption at the hands of the ghosts. This time out, Jacob Marley (Rick Richter) sends him on a mission of his own, casting him into the distant future to save the embittered soul of Timothy Cratchit VI (Matt Koester), who has lost the very Christmas spirit his ancestor helped restore to Scrooge

Thoughts: This is by no means the first time someone has attempted a sequel to A Christmas Carol. There have been versions that show Tiny Tim as an adult, Marley getting redeemed himself, and all manner of stories featuring the older versions of these characters. This one is a cute enough film, if obviously made on a low budget. The greenscreen effect use to insert Marley into the shots is crude, the footage looks cheap (although that’s probably an ironic effect of using digital video rather than actual film), and the performances are straight from an amateur production of… well… A Christmas Carol.

Of the cast, David Ruprecht’s Scrooge is the best performance. In one scene he pulls off a fake-out on Bob Cratchit before making him a full partner in the firm of “Scrooge and Cratchit,” and he’s pretty convincing both as the nasty miser he used to be and as the cheerful soul he’s become. Ken T. Williams’s Bob Cratchit isn’t bad either – still a bit downtrodden, but a man who has happiness in his heart. It really shows in that same scene, when he gives Scrooge a gift of the original Tiny Tim’s no-longer-needed crutch.

In the present day, Tim VI’s life has matched that of Scrooge in several neat ways. Now a wealthy developer, he comes back to his hometown to buy up the property. There he runs into his own girl that got away, coincidentally named Belle (Shannon Moore), who is running her little diner into the ground by giving free meals to homeless citizens who drive off other customers. What’s more, Tim’s company now owns the mortgage on Belle’s diner and he’s there to shut her down if she can’t meet her back payments by Christmas. (Does anyone else find it odd that the companies in these movies always set a Christmas deadline? I’m not a businessman, but isn’t the first of the month more traditional for this sort of thing?)

Belle (Belle Dickenson – aaaah? Get it?) is in trouble, but Tim’s soul is in far worse shape. He’s greedy, nasty, and frequently spouts slightly-altered versions of Scrooge’s classic pre-redemption lines. He comes across here even more actively malevolent than Scrooge usually does in the traditional versions of the story.

Scrooge is mysteriously transported to the present day, where he meets up with Belle and learns how Tim is planning to shut down her company. Unfortunately for Tim, Scrooge still has the paperwork marking him as a partner in Scrooge and Cratchit Financial, and uses it to block Tim. He begins to turn the company around, driving Tim crazy while making everybody else in town merry as can be. Once we hit this mark, where Scrooge starts driving Tim insane, the film actually gets entertaining. There are some great comedy beats where he’s integrating himself into modern society, and a few fine mirrors of his own time while Tim gripes and complains about all Scrooge’s efforts to bring Christmas down upon him.

The movie ends with a surprising twist – surprising in the sense of “utterly ridiculous and impossible to believe.” On the other hand, it does prevent the movie from having the same ending as 90 percent of these movies do, so I’ve got to appreciate it for that if nothing else.

The story actually isn’t bad – it’s at least as good as the endless carbon copy made-for-TV movies that turn up on the Hallmark Channel this time of year. It would be nice to see what would happen if someone with a budget got their hands on this script. This is pleasant as a diversion, but a talented filmmaker could probably make something really memorable out of it.

The first Reel to Reel study, Mutants, Monsters and Madmen, is now available as a $2.99 eBook in the Amazon Kindle store and Smashwords.com bookstore. And you can find links to all of my novels, collections, and short stories, in their assorted print, eBook and audio forms, at the Now Available page!