Category Archives: Superhero
Later this week, I’m going to give you guys a much more analytical discussion of the newest Superman movie, Man of Steel. But for this week’s podcast, my crew and I recorded our immediate gut reactions literally minutes after we left the movie theater. If you want to listen to some old-school fanboys get geeky over Superman, this is the podcast to listen to. We DO tell you when to stop listening before we get into spoilers, but spoilers ABOUND. Don’t listen if you haven’t seen the movie don’t want to know how it ends.
It is absolutely no surprise or secret that the movie I’m the most excited for this year is finally hitting theaters this Friday. Lifelong comic book fan, and more importantly, Superman fan that I am, Man of Steel couldn’t possibly get here soon enough to suit me. I’m on a mini-vacation with my fiance, Erin, right now, but once I’m home with my DVD shelf I fully intend to immerse myself in the Superman films of the past. Chances are you’re aware of the four Christopher Reeve movies, the one Brandon Routh movie… you no doubt know about the Fleischer Studios shorts of the early 40s, the assorted TV shows starring George Reeves, Dean Cain, and Tom Welling. You may even know about the Helen Slater Supergirl movie, and you no doubt watched the 90s Superman: The Animated Series starring Tim Daly.
Today, I’m going to give you a quick rundown of a few Superman movies you may not know about. In 2007, Warner Brothers and DC Comics began a series of animated movies based on their superhero comics, beginning with a Superman film. Many of these are available via Netflix steaming, and all of them are being flooded back into stores this week, with the big Man of Steel push. Here are those DCU Animated Superman movies you may not have seen…
Superman/Doomsday (2007). The first film in the series was based on the early 90s Death of Superman storyline from the comic books, although it is a very trimmed-down version. In this version, Metropolis is attacked by a rampaging beast that comes to be known as Doomsday, a mindless killing machine that threatens to destroy his city. Superman faces down the beast, seemingly at the cost of his own life, but both friend and foe alike are unwilling to accept that his death is that simple. The film wasn’t bad — Adam Baldwin made for a good Superman and James Marsters was a great Lex Luthor. Anne Heche’s Lois Lane was weak, though, and I think they trimmed a bit too much to allow the story to fit in the extremely abbreviated running time of the animated series. Still, this was the DC Animated Universe’s first shot, and the series got better very quickly.
Superman/Batman: Public Enemies (2009). This movie reunited the TV voices of Superman and Batman, Tim Daly and Kevin Conroy, for the first of two films based on a comic book series by Jeph Loeb. In Public Enemies Lex Luthor (also voiced by his TV actor, Clancy Brown), has been elected president of the United States, and uses that influence to draw together a group of heroes under the government payroll. Luthor uses the threat of an impending strike of a massive meteor of Kryptonite to turn the public against Superman and he and Batman go on the run, fighting their fellow heroes in an attempt to clear their names and reveal Luthor as the villain he is. This is a really great flick, one that plays not just with Superman, but with the larger DC Universe, with lots of heroes and villains that casual fans may be introduced to for the first time.
Superman/Batman: Apocalypse (2010). The sequel to Public Enemies again reunites Daly and Conroy. The shower of Kryptonite meteors in the first movie brought with it a large chunk with some mysterious technology inside. Batman investigates the chunk to discover a girl in suspended animation — Kara Zor-El (Summer Glau), daughter of Superman’s uncle, and the first blood family he has seen since coming to Earth as an infant. The heroes take Kara to Wonder Woman (Susan Eisenberg) to teach her how to use her powers and help her adapt to life on Earth, but she soon becomes embroiled in a battle between the heroes and the powerful villain Darkseid (Andre Braugher). I rather like this movie even more than Public Enemies, adding Supergirl to the mix and bringing in the most dangerous foe Superman has ever faced.
All-Star Superman (2011). Based on a graphic novel by Grant Morrison and Frank Quitely, in All-Star, Superman (James Denton) receives a fatal overdose of solar radiation while thwarting one of Lex Luthor’s (Anthony LaPaglia) schemes. The radiation is killing him slowly, and giving him additional powers in the process. With his time limited, Superman embarks on a quest to make permanent, lasting changes to the world, leaving it better before his death. This film is based on one of the greatest Superman comics of all time and, sadly, came out just days after the death of its screenwriter, Justice League Unlimited showrunner Dwayne McDuffie. If you can only watch one of the movies on this list, or if you don’t understand what makes Superman a brilliant and compelling character, this is the movie to watch.
Superman Vs. the Elite (2012). George Newburn, who voiced Superman on the Justice League cartoons, returns to the character in this film based on a comic book by Joe Kelly. Manchester Black (Robin Atkin Downes) is a new superhero, one whose team the Elite initially appears like a welcome addition in the war on crime. Superman soon realizes, however, that Manchester and the Elite have much more violent and permanent solutions to villainy than he is comfortable with. As the people of Earth start to gravitate towards the Elite and question whether Superman is outdated, the man of steel is forced to confront questions of his own relevance. Like All-Star, this is a brilliant story made into a very good movie. This film is the answer to everyone who ever says that Superman is “too old fashioned,” “too good,” or just plain “boring.” This is a story that explains the importance of Superman, and why he has to be who he is… because the alternative is chilling.
Superman Unbound (2013). The most recent film on this list came out just last month. based on a graphic novel by Geoff Johns and Gary Frank, Matt Bomer takes on the role of Superman in this film. Brainiac, a highly-intelligent alien that menaced Krypton in the past, has come to Earth, terrifying Supergirl (Molly Quinn), who remembers the villain from Krypton. Brainiac travels through the universe, miniaturizing and stealing cities from different planets before destroying them, and Metropolis is his next target. The graphic novel this movie is based on is great, the movie is just okay. Like some of the earlier films on the list, it suffers a little from having to strip away a bit too much from the original story to fit in the short animated running time. For the Superman fan, though, it’s still worth watching.
Hey, guys — if you’ll permit me a rare post that has nothing to do with movies whatsoever, I’ve got a new short story that’s going to be available for free in the Amazon Kindle store for five days starting tomorrow, May 4. Click on the link for more details and please, if you’ve got a Kindle or any device with a Kindle App, download the book and help me boost my numbers. (And if you don’t have a Kindle App, find something you can download it on — iPhone, iPad, iPod Touch, Android, any Mac or PC computer, and the apps are all free too!)
Writer: Marc Stirdivant, based on the novel by The Game of X Robert Sheckley
Cast: Michael Crawford, Oliver Reed, Barbara Carrera, James Hampton, Jean-Pierre Kalfon, Dana Elcar, Vernon Dobtcheff, Robert Arden
Plot: Comic book creator Woody Wilkins (Michael Crawford) is about to debut his new superhero: Condorman. Woody insists on authenticity in his character, though, and travels to Paris to test the gadgets he designed for the comic. His friend Harry (Oliver Reed), a CIA file clerk, asks him to carry out a special delivery for which a civilian has been requested. The over-enthusiastic Harry goes too far trying to impress his beautiful contact Natalia (Barbara Carrera), who is actually a KGB operative. Natalia returns to Moscow where her superior and lover Krokov (Oliver Reed) treats her cruelly. She decides to defect, and requests the agent known as “Condorman” be sent to retrieve her. Woody agrees to the mission, provided the CIA fabricate the rest of his comic book designs so he can test them in the field. Woody, Natalia and Harry are soon pursued by Krokov in a race across Europe to bring the beautiful spy to safety.
Thoughts: There is always a danger, when you go back and watch a movie or TV show you loved as a kid, that it simply won’t hold up. We’ve all been disappointed as adults, looking back and realizing things like the old Masters of the Universe TV show really wasn’t very good, or wondering how in the hell we were ever able to sit through Mac and Me more than once. Still, my fiancé Erin managed to secure a copy of this movie after she heard me mention how much I loved it back in the 80s, and I recently managed to find the time to watch it again for the first time in at least 20 years.
Condorman comes from the Disney company during that long stretch in the 70s and 80s when the company simply didn’t know what it was supposed to be anymore. After Walt Disney’s death in 1966, the company coasted on projects he’d already put in the works for a few years, then started to flounder, trying to figure out a direction now that its founder was gone. This film is the perfect example of that. The studio tried to simultaneously capitalize on the popularity of superheroes (thanks to the Christopher Reeve Superman franchise) and James Bond-style spy thrillers, while at the same time creating the sort of family friendly comedy that Disney’s live action properties were expected to be. The result is a film that fails to live up to the standards of any of the three.
That’s not to say the film is terrible. I mean… it kind of is, but at the same time, there’s something about it that still entertains me. Michael Crawford is chewing the scenery so much you expect him to blow a bubble, and James Hampton plays the same sort of big-smiling best buddy he is in most of his work. In fact, if you told me his character in this film retired from the CIA and returned to the states so he could raise his son properly before the family’s werewolf curse made itself known, I wouldn’t think you were that crazy. Just in terms of performance, Barbara Carrera and Oliver Reed are the ones that actually do the most acting. Carrera in particular is fun to watch, putting out a sort of Disney-friendly sensuality that you didn’t get to see often. In essence, she’s a G-rated Bond Girl, which is exactly what the script required her to be. (She would get another chance to be an sort-of Bond girl two years later in the infamous non-canon Sean Connery Bond film Never Say Never Again.)
The concept here is actually perfectly sound – a goofy, good-hearted man leaps at the chance for a little adventure and to test out the toys he’s only, until now, created on paper. It’s the execution that falls flat. The flying scenes are pretty uniformly terrible, with weak bluescreen effects and sometimes even visible cables. The rest of the tech is a bit more acceptable; the “Condormobile” in particular has a cool design and neat gadgets, and I can forgive the 80s-era computer display on the inside. Truth be told, to this day I occasionally fantasize about having a switch in my car that would allow me to blow off the outer shell and reveal a super-sleek high-speed sports car underneath. (These fantasies are usually prompted by sitting in traffic.)
I don’t want you to misunderstand me, guys. This is not a good movie. In fact, if the guys from RiffTrax could somehow get Disney to allow them to do a Video on Demand riff of this, I think it could be one of their greatest productions ever. But despite its cheese, this is one of those rare films from my past that I can look back on and still kind of love, warts and all. I can’t explain it, and I don’t feel the need to defend it. It’s silly, it’s crazy, it’s goofy…. And that’s why I like it.
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